When it comes to getting new toys, there’s nothing better than getting a new lens. Sure, a new camera body can be great but it doesn’t necessarily change the way you see the world like a new lens does.
I recently purchased a Canon EF 16-35mm f/2.8L II ultra-wide angle zoom lens to replace my EF 17-40mm f/4L lens. You might ask yourself, what’s the difference? Let me start by saying that the 17-40/4L is a great lens and is definitely the better deal of the two in terms of the cost-to-performance ratio. The 17-40/4L is half the price, takes a slightly smaller filter, and is both lighter and shorter than the 16-35/2.8L II. Wait, now I’m having second thoughts about selling my 17-40/4L and getting the 16-35/2.8L II. Should I have done it?
After one day out shooting with the 16-35/2.8L, I can say “yes”, it was the right move for me. The advantages of the 16-35/.8L II are a brighter viewfinder thanks to the f/2.8 maximum aperture which helps with manual focusing in low light and allows for faster shutter speeds when trying to stop motion. This lens is also capable of producing stunning sunstars which I hope to have sample to share soon.
On to the photo. One of the first places I usually visit to test a new lens is the Rio Grande gorge just west of Taos, New Mexico. For the shot shown above, I shot from the bridge with camera on a tripod and the lens set to its widest setting to include as much of the gorge as possible while not cutting-off the top of the clouds. One of the biggest problems with shooting from the bridge is the vibrations that rattle across it everytime a vehicle crosses the bridge. You have to hope that there will be very little traffic and you have to time your shot between the vehicles. I got lucky and was able to capture a few frames when there was absolutely no vibration from passing cars.
Adam Schallau is a photographer whose work explores a variety of topics that
include the landscape, culture and people of the American Southwest and Rocky
Mountains. It is with a profound respect for the land, its people and their
history that Adam sets out to recapture the spirit of a place to tell a story
through his photography.
Adam is a recipient of the Luminous Landscape Endowment Award and was an Artist-in-Residence
at Grand Canyon National Park.
This is a great shot. I love the clouds. Cant go wrong in Taos.
Thanks! The clouds were amazing, but only lasted for a few minutes. We also had a rainbow over the gorge, but it was faint and the light wasn’t that great. This is a great time of year to shoot here because of the dynamic weather and ever changing light.
Beautiful, Adam!
I know how that is. I just shot a wedding in Stockton, CA, and we were waiting for two people from the Bridal party for photos at the reception. They almost didn’t make it in enough time to get shots during the ‘golden hour’. Anyways…Taos has great lighting, it just needs to be found at the right time. Keep up the good work, you’re an inspiration!